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In 2013, funded by an Arts Council initiative, grants for the arts, Norden Farm commissioned an outdoor living sculpture by artist, Trevor Leat. His willow work, 'Family Circle' worked to the brief to 'delight and surprise' This uplifting work celebrates the power of the arts to bring people together and their capacity for joy. As the planted willow grows over the years the figures will look more and more as if they are growing out of the ground itself. As part of this commission, Trevor delivered workshops for local people and schools, sharing his will weaving skills and hopefully inspiring more public art as a response.

A History Of Norden Farm Centre For The Arts

Norden Farm is built on the site of an old Dairy Farm. The site includes two original, listed buildings; a Georgian Farmhouse and 18th Century Long Barn. The plan to have an arts centre in Maidenhead had been a long held dream. Lobbying for such a space had begun in the 1970's when a strong demand for an arts centre for Maidenhead began to emerge. Maidenhead Arts was set up in 1978 as an umbrella organisation of local arts groups committed to this vision.

The site had been received by the RBWM Council as planning gain for housing development on the farmland in 1992, and the first Norden Farm Board raised funds from the Foundation for Sport and the Arts to develop the buildings and build a small scale theatre (where the current studio lives today) starting work in 1994. Norden Farm Centre Trust applied to the Arts Council for lottery funding to complete Norden Farm.

Following an intensive and detailed design and public consultation phase, planning approval was granted in September 1997. The Arts Council carried out a full assessment during autumn 1997, prior to an announcement of support and approval for the finished scheme with a Lottery award of £5,295,000 in January 1998. The assessment changed the original vision for Norden Farm. In order to receive lottery funds, the design needed to change to a much larger arts centre plan that would serve the wider community and be able to present a larger range of professional touring work. This meant that a new theatre, now known as The Courtyard, with a 280 capacity, joined The Studio theatre, with a 100 capacity, together with other spaces.

The final design stage of the project was completed in late 1998 and Norden Farm Centre for the Arts finally opened its doors to the public on the 17 September 2000 with Director, David Hill at the helm. Annabel Turpin took over in 2003, followed by the current custodian, Jane Corry.

Today, Norden Farm presents a performance and participation programme of film, theatre, music, visual arts, comedy and classes. It is also a venue for conferences, seminars, meetings and social functions.

Commissioned Artwork at Norden Farm

The new design for Norden Farm, had a radical plan to incorporate visual artists into the design team from the outset, ensuring that art was literally at the heart of the arts centre. At the same time, a poet in residence was also commissioned to articulate the process.

Overview

See Jane Connarty 2002

Five contemporary visual artists were commissioned by Norden Farm Centre for the Arts, Maidenhead to work as part of a multi-disciplinary Design Team on the redesign and extension of the Centre's buildings. Julia Manheim was appointed as Principal Consulting Artist (PCA) to work at the early concept stage with the Design Team, and four artists, Hans Peter Kuhn, Liza Gough Daniels, Anna Heinrich and Leon Palmer were subsequently recruited. The artists were invited to develop proposals for new works to be integrated within the interior or exterior of the newly designed and re-constructed arts centre. As a result of the design process, Manheim, Kuhn, Heinrich and Palmer created a collaborative piece, Deep Theatre, a multi-media installation incorporating live and recorded video and sound. Liza Gough Daniels contributed two major integrated and connected works: Curved Landscape, a series elliptical public meeting spaces which visually connect the outer courtyard with the interior foyer; and Poured Wall, a major wall painting in the Centre's foyer/bar area.

The Commissions

The collaborative work Deep Theatre focused on a particular site to which each of the four artists had been drawn; a void in the centre of the building, adjacent to the subterranean auditorium. The complex audio visual installation is sited within this space and is viewed through a narrow illuminated opening which runs at eye level along eight metres of the wall of the staircase leading down to the theatre. The viewing slot reveals a wide gauze screen, stretched across a white chalk wall, onto which five views of the building's interior and exterior are projected side-by-side as one seamless architectural panorama. A series of horizontal white lines - apparently scattered across the site - join to form a single horizon line spanning all five images when viewed through the slot. At regular intervals the video images fade down and fibre optic lighting fades up to reveal the wall of chalk excavated from the site during construction. The images are transmitted live from fixed viewpoint cameras and sequenced together with a mix of live sound collected from around the building, and pre-recorded ambient sound/music. The fusion of real-time and recorded elements, and the visual play that brings the sites together within one viewpoint, create a theatrical interpretation of the site, and reference theatre's requirement of the suspension of disbelief.

Abstract painter, Liza Gough Daniels, was appointed for her particular strength in use of colour. Although unable to attend all of the workshops, she worked within the offices of AftA, and worked closely with them on two major interventions. Curved Landscape encompasses a series of open spaces designed to create a visual flow from one area of the site to another, offering spaces for people to meet and to linger. The work's elliptical form pierces the exterior wall, connecting the outer courtyard and the inner foyer area; the new arts centre and the land of the earlier farm. In the courtyard an arcing retaining wall divides two floorscapes of coloured gravels on split levels, creating an informal seating space. Exterior slate paving adjacent to the building, continues uninterrupted into the foyer. A monumental 4 metre high curved concrete screen signals the entrance. Reminiscent of a theatre flat, the screen is painted in two horizontal bands of duck egg blue, introducing a sense of fluidity; a suggestion of sky, and/or of water, to the built environment. Poured Wall saturates with colour the long curving wall at the back of the cafe/bar from floor to ceiling. Four poured columns of intense milky white paint appear to float above an earthy red iron-oxide plaster ground. The painted columns echo the four Silver Birches of the courtyard and the columns of the portico of the original farmhouse.

During the construction of Norden Farm, a Poet in residence, Neil Rollinson, was appointed to document the process.

A pamphlet of his work was published. A poem about the last stages of the build, a six month schedule, is below.

A SIX MONTH SCHEDULE

November

A light bulb swings on a wire

in the derelict farm house. I wade

through a quagmire of mud, past huts

and dumper trucks. It’s almost dust.

A six month schedule.

December

A staircase goes nowhere. I stand

at the bottom watching the clouds drift

over the balcony. Fairy lights flash

from cranes all over Berkshire.

Seven months left.

January

Scissor-lifts rise and fall in the auditorium,

welding gear spits against a girder.

The new millennium. Nothing has changed

except the deadline. Eight months to go.

February

Brickies are giving way to chippies

and sparkies. It’s neck and neck now

with the Multiplex down the road.

Seven months and counting.

March

Daffodils bloom around the walnut tree,

as they have for a hundred years. Time is not

what it seems round here. We’ve come

full circle now, six months to go.

April

The smell of timber and fresh plaster.

New walls, floors going down. I’m beginning

to recognise the spaces now. We move

the office into the farmhouse. I take a seat

in the front bedroom. Five to go.

May

The trees arrive. The right species, but

the wrong coloured leaves. They’ll have to

go back. They’re laid in the car park like

storm damage. The Multiplex is nosing ahead.

June

The auditorium shrinks with each new

fitting. Will there be anything left when

it’s done? The balconies rise and fall

in unison. The builders are smiling.

Three short months to wait.

July

We hang the house curtain. It’s

the wrong colour! It’ll have to come down.

The doorways are too narrow, we’ve

had worse setbacks. Two to go.

August

They’ve put the bar in. Daylight glitters

in the bottles and optics. It’s hard to imagine

how far we’ve come. I never thought I’d be

walking on carpets. One month to go.

September

We take our seats in the auditorium.

sad to think it’s over now. Somebody

dreamed all this. The audience settles.

the lights fall. There are just moments

to go.

about 17 hours ago Our boat has had beautiful blue makeover ahead of the Grand Opening next Tuesday! ‍♀️ . . #maidenheadbeach #themaidenheadbeach #nordenfarm #maidenhead #artscentre #berkshire #whatson #schoolholiday #summerholiday #beach #sand #boat #countdown

about 17 hours ago RT @klezmer_ish: Klerzmer-ish are visiting the #Berkshire town of #Maidenhead bringing "Music of the travellers" to @nordenfarm, 19th Augus…

about 17 hours ago RT @dawkesmusic: Fresh from her debut at the @bbcproms don't miss this opportunity to see Young Jazz Musician of the year winner @AlexRidou…

about 18 hours ago The Quo Experience will have you Rockin' All Over Maidenhead this summer! Join them for all the hits such as Rocki… https://t.co/Y1WdVPf3TP

about 18 hours ago The Quo Experience will have you Rockin' All Over Maidenhead this summer! Join them for all the hits such as Rockin’ All Over the World, Whatever You Want, Down Down and Living On An Island. Catch them on Saturday 4 August 8pm --> http://bit.ly/180804TQE

about 23 hours ago RT @TiernanDouieb: WHITSTABLE! You are our next stop for our kids comedy politics show. Please come along on the 28th July! Then 29th is Mi…

about 23 hours ago RT @2timesdo: looking forward to returning to @nordenfarm on Sat 28th July for a series of #family workshops incl. #minecraft @Sonic_Pi and…

about 24 hours ago Looking to add a little glitz and glamour to your summer? Award winning singer Robert Harbermann returns to tell the story of the Hollywood musical in Mad About the Movies on Friday 27 July 8pm --> http://bit.ly/180727Mad

1 day ago Get creative at Kite Making Workshops across the school holidays this summer, then see your creation take to the sky at our Community Kite Festival - taking place at Boyn Grove Park (Punt Hill) on Sunday 2 September between 1pm - 4pm. Workshops are suitable for all the family and tickets are £3 per person. More info and tickets here --> https://norden.farm/events/kite-workshops Workshops dates: Tuesday 24 July | 11.30am – 1pm and 2pm – 3.30pm Saturday 11 August | 11.30am – 1pm and 2pm – 3.30pm Saturday 18 August | 11.30am – 1pm and 2pm – 3.30pm Saturday 1 September | 11.30am – 1pm and 2pm – 3.30pm Workshops are suitable for all the family and tickets are £3 per person. More info and tickets here --> https://norden.farm/events/kite-workshops

1 day ago The prep continues and the countdown has begun - just 7 days to go until the launch of The Maidenhead Beach 2018! Join us to celebrate on Tues 24 Jul from 10.30am ☀️☀️☀️ . . #themaidenheadbeach #maidenheadbeach #nordenfarm #maidenhead #berkshire #freeentry #whatson #summerholidays #schoolholidays #beach #countdown #daysout #artscentre #theatre

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